rowan rabe . ink

Tag: madeleines

  • Memory coup

    I justify to myself being spendy at the gift shops of museums, national parks, other nonprofits, etc, as providing ‘support’. Either way both of us benefit and from a utilitarian perspective that is a good thing, questions about ‘true altruism’ or other abstractions aside. So I don’t sweat it too much.

    Book cover - American Indian Myths and Legends (The Pantheon Fairy Tale and Folklore Library) ed. Erdoes and Ortiz

    I picked up American Indian Myths and Legends (editor/compilers Erdoes and Ortiz, Pantheon Fairy Tale and Folklore Library) book at the Joshua Tree NP gift shop. This is a book seemingly tailored to my interests–sociology, mythology, anthropology, a generous helping of annotations from scholars, a clean minimalist book cover that would pair in a lovely way with other volumes of the same series on my bookshelf, sturdy paperback. I do like the use of large blocks of pattern and the sidebar summary in this Pantheon printing; the entire effect is charming, gives a clean ‘universal’ impression, free from proprietary this or that or over-reliance on one person’s interpretation based on their illustration. Anyway, I’ve been picking through it between other books and I last night got to the portion on war-and-valor-related myths, the introduction of which mentions the coup stick, which triggered a memory that has not been unearthed for probably thirty years. Proust’s madeleines and involuntary memory again. I was familiar with this concept. I had heard about it, a time buried in the distant past. I had not since read about it, so I was inundated with that-timeness; I was for that moment a schoolchild in awe of the ways of others, so different from my own that they seemed inherently mystical.

    The untouched memories

    These are my memories before I taint them with further research, using the terms my memory uses (i.e. what I would have learned as a Texas schoolchild in the 90s):

    A notion of a special “coo stick”. I visualize something like Sokka-from-Avatar’s war club, an embedded jewel the stick cups like a wave. A sense of an Indian warrior sitting straight and proud, very proper, on a horse, riding up to a white invader, tapping them gently on the head, and bolting. No sense of hurry or danger from the Indian. Serenity and poise, making a game of something the White man treats as deadly serious. A child’s budding sense of ‘are we the baddies?’ I am in a classroom. Classroom walls, the bright primary colors, construction-paper cutout headings on bulletin boards. When I visualize-read the term “coo stick” so Anglicized it further triggers the memory–this must be phrase I had only ever heard, specifically.

    Rarity of experience

    I grapple with involuntary memory quite a bit. That, in itself, is not infrequent for me. It is however unusual for me to access a bit of intellectual trivia that has not been touched, as far as I can sense, in decades, especially when it resides within the realm of things I regularly explore (in this case sociology/mythology/history etc), so I want to sit with it a while, turn it over in my hands, before I go off on a reading spree to update my knowledge.

  • Auditory Madeleines: part whatever

    Auditory Madeleines: part whatever

    I’m becoming convinced there are certain songs I need to relegate to a certain period in my life. Or–only listen to them when I want to recall a certain period. I have heard The Eagles multiple times since childhood and the reaction I had in Okawachiyama was exceptionally strong given the contrast between rural Kyushu and the Texas Panhandle.

    New Animal Crossing: New Horizons update came out. Crafted something for the first time in years and the crafting ‘sounds’ whipped me back to March 2020 so hard I had to just sit with it a while.

    Images you can hear. It is two-thousand-fucking-twenty. (Screenshot: Animal Crossing, New Horizons, showing off product of DIY.)

    March 2020 sucked. And yet I felt only nostalgia thinking on it, a distant sense of pain. Almost, for a moment, wanting to go back. Maybe because I wish I could have done the past six years over in a lot of ways.

    The Suika Game sequel (Suika Game Planet) also came out, and that piano theme that plays in the background whipped me back to 2023 so hard I was sitting in a daze remembering being in Yodobashi Camera in Hakata, late on a weekday night, watching an impromptu Suika Game tournament being held on one of the display TVs in an otherwise dead department store. This was not the first time I had played the game — it had gone viral just before I had left for Japan, and had played a lot of it back in California right before going. I played a lot in my apartment in Fukuoka late at night. It was still Yodobashi Hakata I was thrown back to. I had hardly played it in the time after. I am, as I type, undoing the force and clarity of that memory, sitting on the couch while my partner plays and getting the song back into my skull; something is being re-written, something is being lost. Not completely lost, but the force of recollection is no longer making me freeze.

    The gentle smiles of the fruits are as the sakura*, the pastels as the morning frost.

    As an aside: this did make me laugh out loud, which gets credit, even if it is a cheap laugh:

    *Ephemeral. Mono no aware (物の哀れ), what have you.