rowan rabe . ink

Tag: music

  • I, too, have this nature.

    I, too, have this nature.

    Direction-of-the-pharmacy from my apartment has slim options for cafes within easy walking distance. There’s Starbucks and McDonald’s, and the latter has cheaper coffee and still has WiFi, and despite the signs everywhere declaring that staying longer than 30 minutes is loitering and that the manager must enforce this restriction, nobody’s ever bugged me. This has held across locations; I frequently work in schools where your nearby options for coffee are the convenience store or a fast food joint, and I often drive out a couple hours early to avoid the worst of traffic.

    There’s an old folks meeting at the table next to me, I assume of a neighborly and regular nature. Older folks trickle in and sit at the same table* to kvetch. At one point old man says clearly: “It doesn’t get better as you get older.” Talk of some kind of test result. I glance over and the two old men that were at the table at that point are staring into the middle distance, down, way-it-goes kind of resignation. So I just sit “with” them, and listen, and think. I too have this nature; I too will grow old: this is inescapable. They too were once young, once felt a vague sense of distance and dread around the ailments of old age. I send them wishes of loving-kindness and peace. And I think.

    An old Joshua tree at Joshua Tree National Park.
    May I have the wisdom of this old Joshua tree. Tell me what you know. (Photo from Joshua Tree NP February 2026)

    Kind of, you know, whatever.

    I’m reading Romain Rolland’s Jean-Christophe bildungsroman** and the titular character has a massive hate-on, specifically, explicitly, for Brahms, and as I can’t recall any works offhand I’m listening to Brahms right now and… I don’t know, doesn’t seem that bad. Kind of flat and insipid but fine enough. Then again I am not exactly a musical prodigy (Christophe, the character) or a musical critic (Rolland himself).

    Addendum: WOULD YOU FUCK OFF??

    WOULD YOU PLEASE. FUCK RIGHT THE FUCK OFF.


    *The first old guy to get there comes by my table and says “Just so you know, we were going to sit there, but that’s okay.” And I offer to move (it *is* a larger table but as place was empty-ish I felt fine taking it for myself) but he just throws up his hands and says, “No, no; I’m just sayin…” and walks away. I don’t respond to vague innuendo mind games so I stayed put. Look, I offered.

    **Well, where I am in the story thus far he’s only a young man, so thus far the story has been this.

  • Auditory Madeleines: part whatever

    Auditory Madeleines: part whatever

    I’m becoming convinced there are certain songs I need to relegate to a certain period in my life. Or–only listen to them when I want to recall a certain period. I have heard The Eagles multiple times since childhood and the reaction I had in Okawachiyama was exceptionally strong given the contrast between rural Kyushu and the Texas Panhandle.

    New Animal Crossing: New Horizons update came out. Crafted something for the first time in years and the crafting ‘sounds’ whipped me back to March 2020 so hard I had to just sit with it a while.

    Images you can hear. It is two-thousand-fucking-twenty. (Screenshot: Animal Crossing, New Horizons, showing off product of DIY.)

    March 2020 sucked. And yet I felt only nostalgia thinking on it, a distant sense of pain. Almost, for a moment, wanting to go back. Maybe because I wish I could have done the past six years over in a lot of ways.

    The Suika Game sequel (Suika Game Planet) also came out, and that piano theme that plays in the background whipped me back to 2023 so hard I was sitting in a daze remembering being in Yodobashi Camera in Hakata, late on a weekday night, watching an impromptu Suika Game tournament being held on one of the display TVs in an otherwise dead department store. This was not the first time I had played the game — it had gone viral just before I had left for Japan, and had played a lot of it back in California right before going. I played a lot in my apartment in Fukuoka late at night. It was still Yodobashi Hakata I was thrown back to. I had hardly played it in the time after. I am, as I type, undoing the force and clarity of that memory, sitting on the couch while my partner plays and getting the song back into my skull; something is being re-written, something is being lost. Not completely lost, but the force of recollection is no longer making me freeze.

    The gentle smiles of the fruits are as the sakura*, the pastels as the morning frost.

    As an aside: this did make me laugh out loud, which gets credit, even if it is a cheap laugh:

    *Ephemeral. Mono no aware (็‰ฉใฎๅ“€ใ‚Œ), what have you.